Tag: bedroom decor

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You’ve Got Mail • Kathleen Kelly’s Living Room Analysis

After so many requests, I finally bring you an analysis of You’ve Got Mail. With Meg Ryan and Tom Hanks, the movie dates from 1996 when internet romance was still something very new. Who would guess we would end up swiping forever on Tinder? No, no, things were way slower, romantic a mysterious on those times.

The characters of the movie are very interesting and fun, but for me the best part of the movie is the visual. Kathleen Kelly brownstone house in NY is the coziest home in the universe, it’s been more than 20 years and we are still talking about it! Her store, The Shop Around the Corner, is a paradise of books, cute toys and lovely sparkling decorations. The way NY in the end of the 90s is captured is so captivating, the city looks so lovely and full of life. The “Starbucks” aura and Joe Fox apartment are also very on point. Seriously, filmmaker Nancy Meyers is a genius for style.

If you never watched this film stop and go watch. My analysis has lots of spoilers and revels the plot – just a warning!

But now lets get to action. Today we are going to focus on Kathleen Kelly Living Room and a tiny bit of her other rooms. The movie starts with the camera flying from outside to the inside of her house showing an overview of the space.

Looking from the window to the inside of Kathleen’s place

From the first scene you can get a glimpse of how cozy is this place. The colours are warm and harmonic, the wide door moldings have a soft and pleasant texture and all objects feels purposely mismatched in a casual, effortless vibe. This scene is already a masterpiece of composition. Notice how many planes you can see at the same time:

  • The outdoor curtains
  • The home office corner on the left
  • The washroom on the right
  • The piano room and living room behind the office
  • The entry hall light coming from the washroom window
  • The building on the other side of the street (through the window)

Lovely introduction! Now let’s check some details

Bookshelves on the home office, in the back the piano and living room

On this side of the apartment you can see this lovely cube bookshelf, Kathleen’s desk , her piano and the living room. Notice how the books are not organized, there are piles in all directions and no shelf is perfectly tidy. Everything here is intentional and this “messiness” creates the feeling of a well lived place, specially close to the desk. You get the impression that Kathleen actually reads a lot and check those books all the time.

Kathleen writes an email in her cozy desk, surrounded by books everywhere.

Above, a better view of the home office . The wooden desk and wicked magazine stand add to the warmth of the space. Notice the frame with a round in the middle – that’s actually a framed crochet dolly! Other frames around the house have lots of vintage botanical illustration. All these small details helps build Kathleen Kelly character: she is a warm person who treasure family mementos and values her history.

This bookshelf is built around the washroom and faces the piano room.

Here is another floor to ceiling bookshelf! It’s probably normal for a bookstore owner, but seriously, that’s a lot of books! Here you can see more objects and the decoration team tried to reinforce a few messages:

  • Kathleen’s love for daisies: the vase and the frames feature her favorite flower
  • Her longing for romance, symbolized by objects in pairs. Here you can see this pair of frames but her whole apartment is full of objects in pairs: table lamps, frames, candlesticks and even a painting with a couple of swans. I find this just a genius idea coming from the filmmakers!
A better view on the living room, with cube bookshelves and a floral comfy sofa

Here you have a better look on the living room and bit more of her bookshelf on this side. Again objects in pairs – notice the frames on the wall and candlesticks on the bookshelf. This sofa is an invitation to get cozy, isn’t it? I just adore this print and all the lovely cushions. The mismatched chairs give a lot of personality and bring contrast and value to the space. On the shelves some more amazing decisions from the filmmakers: here the books are more organized since they are a bit farther from the desk and you can notice a picture on the top left, that’s probably Kathleen’s enchanting mother.

When Joe Fox visits Kathleen you can get a quick glimpse of her living room

When you get to the last corner of her living room: Surprise! Another book shelf! This time it’s a smaller one, slightly less crowded and decorated with objects. Joe Fox brought some daisies for Kathleen and the green of the leaves stands out on this warm and blush frame.

So we crossed the whole living room, from window to window. Now lets get back and take a quick peak on the other corners.

Kathleen runs to check if Frank is really going away

Above, on the left you see the bookshelf that surrounds the washroom and behind it, a bit of her bedroom furniture. On the right you see her desk, the TV (she can watch it from her bed) and a bay window with another sofa. This window faces the street and is the one we “used” to get inside her house in the first scene. All spaces are integrated, except the washroom and the kitchen.

Don’t miss the details, like the pairs of pictures on the wall, or pair of objects on the shelves. I adore her desk chair and the curtains, so delicate! Also notice the lovely vintage furniture with green details, absolutely charming!

Kathleen falls in her bed after a disappointing date

Here a quick peak on her bedroom. Her bedsheets and bed cover changes throughout the movie, reflecting changes in her own life. The quilt adds to the Kathleen’s love of history and family mementos. You can see the pair of table lamps on the dresser and the painting above her bed is actually a pair of swans (you can see better in the next picture).

Kathleen and Frank watch an embarrassing TV interview

Above, the couple of swans in whole glory! Speaking about pairs, notice how her nightstand lamps are mismatched. This is to symbolize how Kathleen and Frank were not made for each other, her love life is not in perfect balance yet.

Kathleen’s love for daisies is in the first scene of the movie, before she even speaks

Should we talk about the bed linens? Throughout the movie they are are so inviting I could write another post just about her bedroom and linings, seriously! But not today! Our goal was just the living room, I’m already getting distracted!

Still we can get a very quick peak on the other spaces, above the dining room (taken with Frank’s electric typewriters), the lovely kitchen, a glimpse of the washroom and the entry hall with the amazing stained glass window. By the way, guess what is in the painting on the entry wall? Tip – it’s also a sculpture in the kitchen window. Yes you guessed right, a swan!

If you like this movie you might enjoy the products I designed based on this story. Click to visit!

So what do you think about all this? Would you like to live in a place like that? Do you like this aesthetics? Let me know what you think in the comments!

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Image Credits: Warner Bros Pictures

Director: Norah Ephron

Set Decoration: Susan Bode and Ellen Christiansen

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Gosford Park: Lady Trentham Room

Gosford Park is one of my favourite movies and I was so glad to watch it again now that it’s available on Netflix. The movie features amazing set designs and costumes, and a great and original story that includes one of my favourite actress, Kristin Scott Thomas.

The upstairs cast

We follow a group of rich and snob people who gather for hunting at Gosford Park, an English country house. We see the whole action through the eyes of the servants, specially Mary Maceachram, a new maid working for Lady Constance Trentham. The house is magnificent and full of contrasts. The upstairs are opulent and highly decorated. The downstairs, in the servant quarters, are functional and austere.

The downstairs cast

The house rooms are all different from each other, some are very full of heavy details and others more delicate. There are different wall colours, linens, furniture…. Some masculine and feminine designs.

I understand Lady Trentham is an honoured guest and she stayed in one of the most beautiful bedrooms in the history of the movies. That’s what I want to show you today.

Mary stands in the middle of bedroom

The bedroom features a peacock and flowers wallpaper with a soft light blue background. I love the blush curtains, the tall windows and brass details in the furniture. The fringe lamps on the nightstands and dresser are so charming and well placed. The canopy frames the bed beautifully and I cannot forget to observe how the pastel rug connects everything harmonically.

Mary brings some breakfast

We enter this bedroom through a door beside the large wardrobe. Above we can see Mary bringing a wood tray with the breakfast for the lady (I love the silver pieces on it). I won’t show the pictures in the chronological order. Instead I’m showing the bedroom during the day and in the evening. I’ll start with the morning sun.

Sylvia and Constance talk while Mary is packing the luggage

Beside the large wardrobe there is a tall mirror and then the bed set with two nightstands. Although the wallpaper pattern is very fluid and organic, the furniture placement keeps the structure and symmetry, reinforced by the table lamps and round picture frames.

Lavínia waits while Sylvia sits at the dressing table

I found interesting how the dressing table is placed right in front of the window. The same happens with the desk, in front of the other window. The triptych mirror certainly make it special, what a beautiful piece! Notice how the wallpaper behind Lavinia shows much more flowers, it’s a very interesting pattern alternating flowers and birds.

Sylvia is ready to go

How about the tassels everywhere? Tassels on the curtain holder, tassels on the table lamp, tassels on the perfume bottle. There are fringes and tassels everywhere, I love it!

Did you notice the objects on the silver tray? I think those are beauty products. Don’t you want to exchange all modern plastic packages for those? I do.

Mary lit the fire, it’s freezing
On the mirror you can see the lady holding a bag of warm water

Here we go, composition, contrast and symmetry again. The wallpaper pattern is asymmetric and dances around without following any grid. But the structure is there, notice the repetition of another triptych mirror, symmetrical amphora vases and twin sconces. Everything is ornamented, from the picture frames to the fireplace golden details. I also love the tall white baseboard, make such a neat edge.

Sylvia between the black cabinet and the fireplace

Beside the fireplace there is a door that I’m not sure where it goes. There is also this black and gold cabinet that is shown very little during the movie but it’s very unique and got my eye, it looks like a Chinese cabinet. I find intriguing how the black doesn’t look heavy, but it’s well balanced with the large wardrobe and all patterns of the bedroom. The wardrobe is not shown on this picture but I like how it makes a pair with this black cabinet and it’s opposite to the pair of the windows on the other side of the bedroom. Also note the vase of flowers on a stand, it’s also placed opposite to the large vase of flowers that sits between the bed and the dressing table (check the first picture).

Mary helps Constance while Lavinia and Sylvia talk. Louisa reads a magazine on the bed.

The bedroom is a social space and the ladies enjoy talking and gossiping while the men go hunt. Here we can see how the wallpaper pattern is heavier on the bottom and lighter on the top. Also we can see the sofas and chairs around the fireplace (in front of the bed). I really like how the structure of all seating is apparent and slightly golden. The only thing that we feel it doesn’t belong the the bedroom is Mary, dressed in all black with no ornaments. I’m sure that was the director’s intention, to show how the servants were there almost like a shadow, with no life of their own.

The symmetry of the round frames and bed lamps around the bed contrast with the wallpaper

Here is a nice shot of the bed and its canopy. Notice how all shapes reinforce the heavyweight on the bottom and lightweight on the top. Mirror, lamps and canopy are all wider in the bottom and narrow on top creating a illusion of a heavy base that communicates perfectly with the wallpaper pattern.

And again we see fringes and tassels everywhere, on the canopy, on the table lamp and even in the reflection of the curtains on the tall mirror. The wallpaper behind the bed is the richest and most original, peacocks with yellow orange tails and some very asymmetrical branches, probables inspired by old Japanese prints. It’s the contrast of the wallpaper with the furniture that makes this bedroom special. Can you imagine the same furniture with a regular pattern wallpaper? Or with no pattern on the walls? How traditional and boring!

Lady Trentham prepares for the first evening

In the evening light I cannot tell if the wallpaper is green or blue, it looks greenish for me in those scenes. Here is a good view of the beauty containers and the gorgeous table lamp. Maggie Smith portraits such a detestable and self absorbed lady, it’s hard to forget her character and poisonous remarks. It’s so natural how she distills her disdain, she is a master in the art of contempt.

Sylvia and Constance get ready for the evening, Mary is on the floor fixing the lady dress

Here’s a last look on the bedroom with a good view of the wardrobe and the bed. I absolutely love the bed head and foot, specially the curve that holds the mattress and the golden ornaments. The mirror and wardrobe are very beautiful, unfortunately I don’t know a lot about types of wood but you can’t help but notice how the wood veins on the wardrobe door and nightstand drawers are strong and rich. And although I’m focusing on the decor, how not to notice the gorgeous dresses of the ladies? The antique pink of Constance dress even matches the pink pleats of the canopy over the bed, such an achievement from the visual department in this movie.

So that was it for today. Lady Constance Trentham is an old snake and Sylvia follow her steps closely, but behaviour and class struggles aside, I can’t help but to love this bedroom and find it a masterpiece in decoration and visual composition.

Did you like it? Leave a comment! I’ll post about the kitchen and the rest of the house another day, keep in touch!