It’s a lovely long weekend here in Canada and I took some time to watch old movies and search for some decorations and art ideas. I confess, I love decoration and fashion style from the 80s and 90s. It’s a bit over but it feels so cozy and cute. My top picks from this long weekend are:
You’ve Got Mail lovely decoration
It’s been 22 years and we are still in love with Kathleen Kelly house. Lots of botanical art, warm tones, floral pillows, greens and oranges. Walls molding and trims everywhere and a ton of detail. One day I have to do a deeper analysis of her style. Here is a quick peak.
I really love the have French door in the kitchen, the cute little ornaments in her curtains, the amazing china cabinet and the vitral window in her entrance hall. What a dreamy place!
Mrs. Doubtfire warm and cozy house
I actually don’t like this movie and was not able to watch it all again, but I really like the house and the decoration with warm tones of beiges, oranges and greens. It feels very cozy and warm. The movie is from 1993 (click on the images to see details)
I cant get over her cute kitchen with lots of ornaments, the great green sofa cover and curtains everywhere. Super cozy.
Heartburn amazing 80’s style
Last but not list, is not only the décor but the fashion style. Take a look on the amazing clothes Meryl Streep wears in this Nora Ephron movie. I want them all! (click on the images, it’s just so good)
My mom was pregnant from my sister in 1986 and she dressed exactly like that! I’m not sure if I like so much for the nostalgia of those times but seriously, I need that grey linen blazer. Her house was also charming but she never finish her decoration, what is a shame, it would have looked beautiful.
I hope you had fun in this back to the past style and decoration. I’m so inspired! I know my house and my style shouldn’t look exactly like that but I really want to use some of these ideas. Keep in touch and thanks for visiting!
It’s been a while I feel our lifestyle is too fast, too focused on the mundane and too immediatist. I’ve been reading some amazing books about art history, myths and ancient legends and all this makes me think a lot.
I studied architecture at the university and I remember reading this huge and great book called The History of the City, from Leonardo Benevolo. One of the most interesting things he said was about the way we organize our cities. In the beginning of our history, we organize everything around the temple. For centuries the temple was in the center of our villages and cities. Much of our lives was focused on the divine. If you think about it, we had ziggurats, Greek and Roman temples, Gothic churches, Renascentist churches, Baroque churches… all the other styles that came after had amazing churches and they were in the center of the city, many times the largest and most important building of the community. But that all changed starting with the industrial revolution and modernism. Skyscrapers took over and business towers became the largest buildings in the cities. The sky line of a city was not focused on the divine anymore, a new power took over and changed the way we live forever.
I was born in this lifestyle. I never lived in a city where the church is the largest building. Nature was not the center of my life either. All the cities I lived in were typical 20th century cities, life rotates around the commercial center, a conglomerate of towers with offices and stores. We live for work and immediate pleasures. There is no bigger mystery or wondering.
How different my life would have been if I had grown up in a city focused on the divine or focused on nature? A city that focus on the human soul and it’s mysteries? Can I slow down and change the way I think? Can I stop focusing on now and start focusing on larger and more permanent things? All these questions motivates me to read about ancient times and different ways of life.
I’ve been to Florence in 2018 and visiting the Cathedral was a magnificent experience. I wish I could go again and again, there is no feeling like entering that church. The contrast of the rich sculpture outside with the austere inside is the first surprise, then you slowly walk across the nave and visualize the unbelievable duomo from the inside, getting higher and higher, as if you can reach an infinite sky of angels.
This weekend I watched some documentaries about Florence and it’s Cathedral, Santa Maria del Fiore. The first one is a friendly touristic overview of the city, showing a bit of it’s attractions and history.
The second one is a technical and fascinating investigation on the methods of construction for the duomo.
Thinking about how long the great masters took to create their masterpieces and how life was at that time was very interesting for me. Things took years of dedication, study, perseverance. Art was made for eternity. I want to bring this spirit to my life and be more focused on the soul and less in the everyday things.
How about you? Do you feel life is always rushing? What makes you wonder? Let me know in the comments!
Gosford Park is one of my favourite movies and I was so glad to watch it again now that it’s available on Netflix. The movie features amazing set designs and costumes, and a great and original story that includes one of my favourite actress, Kristin Scott Thomas.
We follow a group of rich and snob people who gather for hunting at Gosford Park, an English country house. We see the whole action through the eyes of the servants, specially Mary Maceachram, a new maid working for Lady Constance Trentham. The house is magnificent and full of contrasts. The upstairs are opulent and highly decorated. The downstairs, in the servant quarters, are functional and austere.
The house rooms are all different from each other, some are very full of heavy details and others more delicate. There are different wall colours, linens, furniture…. Some masculine and feminine designs.
I understand Lady Trentham is an honoured guest and she stayed in one of the most beautiful bedrooms in the history of the movies. That’s what I want to show you today.
The bedroom features a peacock and flowers wallpaper with a soft light blue background. I love the blush curtains, the tall windows and brass details in the furniture. The fringe lamps on the nightstands and dresser are so charming and well placed. The canopy frames the bed beautifully and I cannot forget to observe how the pastel rug connects everything harmonically.
We enter this bedroom through a door beside the large wardrobe. Above we can see Mary bringing a wood tray with the breakfast for the lady (I love the silver pieces on it). I won’t show the pictures in the chronological order. Instead I’m showing the bedroom during the day and in the evening. I’ll start with the morning sun.
Beside the large wardrobe there is a tall mirror and then the bed set with two nightstands. Although the wallpaper pattern is very fluid and organic, the furniture placement keeps the structure and symmetry, reinforced by the table lamps and round picture frames.
I found interesting how the dressing table is placed right in front of the window. The same happens with the desk, in front of the other window. The triptych mirror certainly make it special, what a beautiful piece! Notice how the wallpaper behind Lavinia shows much more flowers, it’s a very interesting pattern alternating flowers and birds.
How about the tassels everywhere? Tassels on the curtain holder, tassels on the table lamp, tassels on the perfume bottle. There are fringes and tassels everywhere, I love it!
Did you notice the objects on the silver tray? I think those are beauty products. Don’t you want to exchange all modern plastic packages for those? I do.
Here we go, composition, contrast and symmetry again. The wallpaper pattern is asymmetric and dances around without following any grid. But the structure is there, notice the repetition of another triptych mirror, symmetrical amphora vases and twin sconces. Everything is ornamented, from the picture frames to the fireplace golden details. I also love the tall white baseboard, make such a neat edge.
Beside the fireplace there is a door that I’m not sure where it goes. There is also this black and gold cabinet that is shown very little during the movie but it’s very unique and got my eye, it looks like a Chinese cabinet. I find intriguing how the black doesn’t look heavy, but it’s well balanced with the large wardrobe and all patterns of the bedroom. The wardrobe is not shown on this picture but I like how it makes a pair with this black cabinet and it’s opposite to the pair of the windows on the other side of the bedroom. Also note the vase of flowers on a stand, it’s also placed opposite to the large vase of flowers that sits between the bed and the dressing table (check the first picture).
The bedroom is a social space and the ladies enjoy talking and gossiping while the men go hunt. Here we can see how the wallpaper pattern is heavier on the bottom and lighter on the top. Also we can see the sofas and chairs around the fireplace (in front of the bed). I really like how the structure of all seating is apparent and slightly golden. The only thing that we feel it doesn’t belong the the bedroom is Mary, dressed in all black with no ornaments. I’m sure that was the director’s intention, to show how the servants were there almost like a shadow, with no life of their own.
Here is a nice shot of the bed and its canopy. Notice how all shapes reinforce the heavyweight on the bottom and lightweight on the top. Mirror, lamps and canopy are all wider in the bottom and narrow on top creating a illusion of a heavy base that communicates perfectly with the wallpaper pattern.
And again we see fringes and tassels everywhere, on the canopy, on the table lamp and even in the reflection of the curtains on the tall mirror. The wallpaper behind the bed is the richest and most original, peacocks with yellow orange tails and some very asymmetrical branches, probables inspired by old Japanese prints. It’s the contrast of the wallpaper with the furniture that makes this bedroom special. Can you imagine the same furniture with a regular pattern wallpaper? Or with no pattern on the walls? How traditional and boring!
In the evening light I cannot tell if the wallpaper is green or blue, it looks greenish for me in those scenes. Here is a good view of the beauty containers and the gorgeous table lamp. Maggie Smith portraits such a detestable and self absorbed lady, it’s hard to forget her character and poisonous remarks. It’s so natural how she distills her disdain, she is a master in the art of contempt.
Here’s a last look on the bedroom with a good view of the wardrobe and the bed. I absolutely love the bed head and foot, specially the curve that holds the mattress and the golden ornaments. The mirror and wardrobe are very beautiful, unfortunately I don’t know a lot about types of wood but you can’t help but notice how the wood veins on the wardrobe door and nightstand drawers are strong and rich. And although I’m focusing on the decor, how not to notice the gorgeous dresses of the ladies? The antique pink of Constance dress even matches the pink pleats of the canopy over the bed, such an achievement from the visual department in this movie.
So that was it for today. Lady Constance Trentham is an old snake and Sylvia follow her steps closely, but behaviour and class struggles aside, I can’t help but to love this bedroom and find it a masterpiece in decoration and visual composition.
Did you like it? Leave a comment! I’ll post about the kitchen and the rest of the house another day, keep in touch!